rebecca moon, soprano soloist, soprano singer, wedding soloist, wedding singer, corporate events soloist, corporate events singer
     London, Surrey, Middlesex, Kent, Buckinghamshire, Essex, Hertfordshire, Sussex, Berkshire, Home Counties, South East rebecca moon, soprano soloist, soprano singer, wedding soloist, wedding singer, corporate events soloist, corporate events singer
     London, Surrey, Middlesex, Kent, Buckinghamshire, Essex, Hertfordshire, Sussex, Berkshire, Home Counties, South East rebecca moon, soprano soloist, soprano singer, wedding soloist, wedding singer, corporate events soloist, corporate events singer
     London, Surrey, Middlesex, Kent, Buckinghamshire, Essex, Hertfordshire, Sussex, Berkshire, Home Counties, South East
     
rebecca moon, soprano soloist, soprano singer, wedding soloist, wedding singer, corporate events soloist, corporate events singer
     London, Surrey, Middlesex, Kent, Buckinghamshire, Essex, Hertfordshire, Sussex, Berkshire, Home Counties, South East rebecca moon, soprano soloist, soprano singer, wedding soloist, wedding singer, corporate events soloist, corporate events singer
     London, Surrey, Middlesex, Kent, Buckinghamshire, Essex, Hertfordshire, Sussex, Berkshire, Home Counties, South East rebecca moon, soprano soloist, soprano singer, wedding soloist, wedding singer, corporate events soloist, corporate events singer
     London, Surrey, Middlesex, Kent, Buckinghamshire, Essex, Hertfordshire, Sussex, Berkshire, Home Counties, South East
     
  rebecca moon, soprano soloist, soprano singer, wedding soloist, wedding singer, corporate events soloist, corporate events singer
     London, Surrey, Middlesex, Kent, Buckinghamshire, Essex, Hertfordshire, Sussex, Berkshire, Home Counties, South East  

 

Reviews

Rebecca Moon received the Patrick Fyffe - Dame Hilda Bracket - award for comedy in opera at Sadler's Wells for her portrayal of Mary in Opera North's production of Gershwin's  Of Thee I Sing.


Great Easton

Gillian Leftwich - Director of the erstwhile Opera Minima - certainly knows how to put on a spectacular show. Last week's cabaret with a twist left the audience zinging and clamouring for more........ Moon seduced the audience with her beautiful Vilia, stunned with her fabulous Glitter and be Gay and danced a graceful ballet spotlight - J Berman - Harborough Mail

 

Messiah - Todmorden

Rebecca Moon - who makes it sound easy - sang the serene " I know that my Redeemer liveth" - Diana Forrest - Live Review


The Wife -The Juniper Tree - UK premier of Philip Glass's Opera - Hammond Theatre

"The Wife - accurate and stylish" - Keith Potter - Opera Magazine

"The Wife, brilliantly portrayed and sung by Rebecca Moon" - Nigel Gallimore.

"Played with a defenceless simplicity, Soprano Rebecca Moon instilled the part with a sense of poignancy, reinforced in the depiction of death coming as veiled silent figures who bore her away" - Mark Aspen


Innamorato - L'Ospedale - Solomon's Knot

Anna Picard writing in The Times and Barry Millington in the Evening Standard both give L'Ospedale 4 star reviews

As the lovelorn Innamorato Rebecca Moon displayed a smooth legato line in what was possibly the highlight of the evening, a drawn out lament that would not have sounded out of place in a Cavalli opera and with rhetoric that had echoes of Ottone’s aria in Poppea Opera Britannia

The singing, and acting, was outstanding, both as soloists and in the many choruses. Notably amongst the patients, on account of their particularly extended ‘mad scenes’, were Rebecca Moon as the lovesick Innamorato and Michal Czerniawski as the Art Brut artist Matto.   Early Music reviews

It is beautifully sung by this cast whose performances add an extra layer of dramatic interpretation to the charming baroque polyphony.  British Theatre Guide

What this space (Wilton’s Music Hall) does bring to the staging is a wonderful acoustic – studio-clean for solo singing, while ensemble passages ring with church-like resonance. Those 19th-century builders really knew what they were about. A superb cast makes the hall work its hardest for them. The Arts Desk

It is executed with precision and confidence by a talented group of singers...... the vocal passages of polyphony are sung astoundingly. Theatre, Dance & Opera Reviews


Rose Maybud  -  Ruddigore (Gilbert & Sullivan) Charles Court Opera

Completing the “distaff side”, as her quaint, etiquette-obsessed, Bible-spouting character might have put it, is Rebecca Moon as Rose Maybud, a charming evocation of keep-your-distance, come-hither confusion in a delicious double act with Matthew Kellett’s baronet-as-farmer, the apogee of false modesty (prize for topsy-turvydom in the always sparkling dialogue: “Ah, you’ve no idea what a poor opinion I have of myself, and how little I deserve it” David Nice - The Arts Desk

Her voice clear, supple and light, Rebecca Moon seems perfectly suited to this genre and to the role of Rose Maybud, the cold, proud and calculating maiden with a textbook for a conscience. Rose is not the most appealing of characters, but Moon unearths all the comedy of the part with skilful acting, revealing Rose's tinpot morality through detailed phrasing of both her sung and spoken lines. Bachtrack

Rebecca Moon plays the virginal Rose with a beautiful voice. Once a week Theatre

Even though comic ability is vital in any G&S operetta, the Charles Court Opera Company also double as sublime singers too. They collectively produce a luscious and joyful noise as well as individually being aurally captivating. Rebecca Moon as Rose Maybud has a sweet and richly-rounded voice, Cassandra McCowan sings with a wonderful crystal shrill as Mad Margaret, and Philip Lee as Richard Duantless bellows with briny bravado. Grumpy Gay Critic

It’s not often that you get an opera which embraces its own cheesiness as much as Ruddigore does. And it works marvellously. A spoof on the caricatures of Victorian melodrama, there’s a gloriously gothic baddie, some deliciously desperate bridesmaids and a main character that I absolutely loved to loathe (yes Rose, I’m talking about you). But it’s not your average piece of theatre; at some point during the plot each of these pastiche figures turn out to be the exact opposite to what you were expecting. And this stupendous cast, directed by John Savournin, plays it up to the max. Fringe Opera


Jennifer- Do I Hear a Waltz (Richard Rodgers) - Park Theatre London

"We’re Gonna Be All Right", the catchiest number (and most-often performed in cabaret), gives the warring younger couple Eddie and Jennifer (Matthew Kellett and the excellent Rebecca Moon) their big moment. Jeremy_Chapman_Musical_Theatre_Review


Recital - Concordia Foundation at St. James's Piccadilly - Schumann's Frauenliebe und Leben

"Exceptionally good recital. Rebecca Moon gave a sumptuous rendition of Schumann's Frauenliebe" Trip Advisor


Rose Maybud  -  Ruddigore (Gilbert & Sullivan) Opera North - Festival Theatre Edinburgh

" ....there was a genuine respect for the genre’s traditions, and often touching sincerity in the lead performances. Rebecca Moon was prim and proper – and bright-voiced – as Rose Maybud......"  The Scotsman

"The leads are all in fine voice, exploiting their roles for maximum comic potential, and sometimes beyond: Rebecca Moon lends the role of prissy Rose Maybud a refreshing naughtiness and a touch of sex appeal which would make her original blush!"  thepublicreviews   


Musetta  -  Opera di Peroni   - Go Opera

"....... a beautiful rendition of Quando m’en vo from Puccini’s La Boheme enchanted the audience once more as the beautiful soprano prowled around the audience like a cat leaving broken hearts in her wake. Amazing!"     Robert Johnson - mancunianmatters


Kate The Yeomen of the Guard (Gilbert & Sullivan) Philharmonia - Royal Festival Hall

"....thumbs up too for Rebecca Moon, only in for a brief while as the Dame’s niece, but with a pure, honey-sweet voice that I’d love to smear on toast."    Geoff Brown - The Arts Desk

"It was the ensembles that came off best, Rebecca Moon riding high in ‘Strange Adventure’ as Kate, a character drafted in just for this quartet."   Nick Breckenfield  - Classical Source


Armonico Consort - Cadogan Hall

"the excellent soprano who sang ‘In dulce jubilo’ at a stratospheric pitch" Michael Church - The Independent


Mabel The Pirates of Penzance (Gilbert & Sullivan) - The Gilbert & Sullivan Opera Company - Buxton Festival

"This is an outstanding production by Gavin Slavin that should not be missed.... ....Mabel sang her waltz song ‘Poor wandering one’ magnificently, with a noticeably secure high top to her voice and enjoyable legato. Her radiant presence was an asset to the production."  Raymond J Walker - Seen & Heard

"Rebecca Moon - a convincing performance as Mabel "  William Hartston - Daily Express

"I heard Rebecca Moon as a charming Mabel. She and Jeremy Finch were most affecting in 'Ah, Leave Me Not To Pine' one of Sullivan’s loveliest melodies." Tully Potter - Mail Online


Maddalena  Monteverdi's Flying Circus - Armonico Consort

"Anna Sandstrom (as his late wife) and Rebecca Moon (his maid) produced beautifully controlled singing"  - John Packwood - Bristol Evening Post


Marie in Peter the Great (Lortzing) - Opera South

"and Marie by the vivacious Rebecca Moon, who delivered her bridal song in a slender silvery soprano"   Margaret Davies - Opera magazine

"Opera South has concocted a colourful 'period’ production, directed in traditional style by Ian Gledhill. Marc Callahan, Tom Bullard, Rebecca Moon and Aidan Smith give pleasing performances in the leading roles." Rupert Christiansen - Telegraph

"Rebecca Moon’s bright, light voice was ideally suited to the part. Her singing and characterisation were superb, impish and subtly flirtatious, but always full of vivacity."  Ann Pinhey - Petersfield Post


Rebecca Moon :  soprano soloist - opera, oratorio, recitals, weddings and corporate events